🎹 Stereo Is Not Dead: When NOT to Record for Dolby Atmos Why stereo still matters and when immersive audio makes sense, especially for live Jazz, Funk, R&B, and Soul recordings. 🔁 Intro: The Atmos Wave Meets the Artist’s Reality Dolby Atmos is everywhere. It’s being promoted on Apple Music, praised by engineers, and marketed […]
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How to Prep a Session for Dolby Atmos: A Guide for Artists and Producers 🎙️ From the Studio Desk of Ralph Sutton Dolby Atmos isn’t the future; it’s now. Whether you’re an indie artist, producer, or running a small label, you’re already feeling the shift. Spatial audio is no longer a luxury; it’s the standard
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Dolby Atmos for Music: Recording & Mixing Guide for Engineers Dolby Atmos is no longer the future; it’s the now of music production. From major streaming platforms like Apple Music and Tidal to cutting-edge studio sessions worldwide, Atmos has become the new benchmark for immersive sound. But to fully unlock its potential, recording and mixing
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Upgrading My Project Studio: Dolby Atmos Setup Built for Precision As a recording and mixing engineer, every tool I invest in is about one thing: getting closer to the sound I hear in my head and delivering it to the artist and producers exactly the way it was meant to be heard. This month marks
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Sidechain Compression and Keying: Classic Analog Meets Modern Hybrid Mixing In the world of modern mixing, “sidechain compression” is often treated like a gimmick, a flashy trick for making your kick drum pump the whole track in an EDM session. But that’s just one small application. Real engineers, especially those of us who came up
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