- The concepts of military strategy have been studied and written about for more than 4,000 years, going back to the early works of General Sun-Tzu in China more than 2,000 years BC. These principles of strategy can be applied to your indie music career as well. These principles have been developed and perfected over the centuries and have direct applications and implications for strategic thinking, both personally, music production wise and for all businesses.
- This is the age of achievement. Never have more people accomplished more things in more different fields than they are accomplishing today. More people are becoming successful at a faster rate than at any other time in history. There have never been more opportunities for you to turn your dreams into realities than there are [...]
- The boundaries between major and independent labels, and the definitions of each, differ from commentator to commentator.
- Time management is the central skill needed for success in your Indie Music Career. Your ability to manage your time, to focus and channel your energies on your highest value tasks, will determine your rewards and your level of accomplishment in life more than any other factor.
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Hey everyone, I have been off for the last month doing just what I am telling you about, making money on the internet with Indie Music Marketing. In this post I will share with you The Rules To Indie Music Marketing.
Here’s the deal… more than a billion people now have Internet access around the planet. That’s a lot of people and a lot of opportunities at your fingertips. It can also be bewildering, as the number of new music sites and the variety of online tools continue to grow at dizzying rates. Just when you get a handle on how to promote yourself effectively with existing web-based tools, something new comes along to cloud your vision and fill up your to-do list. Not to worry. In this post, I’ll give you a quick crash course on what’s new and what’s most important to know about marketing your music on the Internet today.
Nashville, TN — Following on the success of the first annual Nashville Recording Workshop + Expo in 2009, The AES Nashville Section and Mike Curb College of Entertainment & Music Business, in conjunction with the Audio Engineering Society, Inc. in NY are pleased to announce the dates for this year’s session to be held at The Curb Event Center at Belmont University, just steps away from the heart of Nashville’s legendary Music Row.
I’m going to use this entire post to deal with only one subject because it’s so vital to the success of your indie music promotion efforts. Every day I see the same mistake being made in this area and feel I owe it to you to drive this crucial point home.
Suppose you walked into a record store and one of the employees came up and handed you a box filled with CDs. Then he said, “Here, these are extra promo copies we’re giving away. You can have any CD you want out of the box. But you can take only one.”
Los Angeles (February 11, 2010)—The Grammy Museum’s “Mississippi Night” was recently held as a preamble to the 52nd Grammy Awards; the event featured Hubert Sumlin, Honeyboy Edwards, and Hartley Peavey.There, Peavey, founder and CEO of Peavey Electronics Corporation, discussed career opportunities in music with Los Angeles-area high school students before delivering an address during the evening program. Using a backline of Peavey, Trace Elliot and Budda guitar and bass amplifiers, blues artists spanning generations celebrated the legacy of Mississippi’s contributions to popular music with performances in the museum’s Grammy Sound Stage auditorium. The legendary Hubert Sumlin, a past Grammy nominee who played alongside Muddy Waters and Howlin’ Wolf; David “Honeyboy” Edwards, a 2010 Recording Academy Lifetime Achievement Award winner; four-time Grammy nominee Dorothy Moore; four-time nominated The Williams Brothers; and young bluesman Eddie Cotton all shared the stage.