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	<title>Ralph Sutton&#039;s Music Production Blog</title>
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	<link>http://ralphsutton.com/blog</link>
	<description>Recording, Mixing, Mastering, Music Production and Indie Music</description>
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		<title>Your Indie Music Objective Strategic Thinking</title>
		<link>http://ralphsutton.com/blog/2010/05/your-indie-music-objective-strategic-thinking/</link>
		<comments>http://ralphsutton.com/blog/2010/05/your-indie-music-objective-strategic-thinking/#comments</comments>
		<pubDate>Mon, 31 May 2010 19:08:44 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Showcase]]></category>
		<category><![CDATA[Indie Music Career]]></category>
		<category><![CDATA[Music Production]]></category>
		<category><![CDATA[Music Production Strategy]]></category>

		<guid isPermaLink="false">http://ralphsutton.com/blog/?p=735</guid>
		<description><![CDATA[The concepts of military strategy have been studied and written about for more than 4,000 years, going back to the early works of General Sun-Tzu in China more than 2,000 years BC. These principles of strategy can be applied to your indie music career as well. These principles have been developed and perfected over the centuries and have direct applications and implications for strategic thinking, both personally, music production wise and for all businesses.]]></description>
			<content:encoded><![CDATA[<p><strong>Lessons of History</strong><br />
The concepts of military strategy have been studied and written about for more than 4,000 years, going back to the early works of General Sun-Tzu in China more than 2,000 years BC. These principles of strategy can be applied to your <em>indie music career</em> as well.<span id="more-735"></span> These principles have been developed and perfected over the centuries and have direct applications and implications for strategic thinking, both personally, <em>music production</em> wise and for all businesses.</p>
<p><strong>Decide What You Want</strong><br />
The most important military principle is the Principle of the Objective. This principle requires that you decide in advance exactly what it is that you are trying to accomplish. What exactly is your objective? In my experience, fully 80% of all problems in personal and <em>music production</em> life come from a lack of clarity with regard to objectives and goals.</p>
<p><strong>Clarity Is Critical</strong><br />
Clarity of objective precedes all other elements in strategic thinking. Here are some questions that you can use over and over again to focus and clarify your objectives. The first question is, &#8220;What am I trying to do?&#8221; The second question is, &#8220;How am I trying to do it?&#8221; The third question is, &#8220;What are my assumptions?&#8221; And the fourth question is, &#8220;What if my assumptions were wrong?&#8221;</p>
<p><strong>Question Assumptions</strong><br />
Having the courage to ask these questions, and to question your assumptions, both spoken and unspoken, is a key mark of the superior person. Sometimes individuals avoid questioning their assumptions for fear that they will have to change their minds or do something other than what they started out to do. However, false assumptions lie at the root of almost every failure. The only way that you can root out these wrong assumptions is by carefully analyzing them and discussing them, and then by demanding proof or evidence that these assumptions are still valid.</p>
<p><strong>Project Forward In Your Mind</strong><br />
Another method for clarifying your objectives is for you to project forward and look backward. In other words, imagine that you have already achieved the objective that you are working toward. Project yourself forward in your mind and then look back to the present day, to the present moment. What do you see? What changes could you make looking back from this imaginary perspective of hindsight? This is a key peak performance thinking technique.</p>
<p><strong>Determine Why You Want It</strong><br />
The final part of clarifying your objectives revolves around your identifying the reasons why you want to achieve this objective in the first place. Why is it important? Is it still as important as when you started off? Is this objective more important than any other objective that you could be working on? It is essential that you be clear about the answers to these questions.</p>
<p><strong>Action Exercises</strong><br />
Here are two things you can do immediately to apply the principle of the objective to your personal and business life:</p>
<p>First, take out a piece of paper and answer the questions: &#8220;What am I trying to do?&#8221; What are your goals? What are your objectives? Why are you doing what you are doing in the first place? Is this the very best use of your time and energy?</p>
<p>Second, question your assumptions. What things are you assuming are true about yourself, the people around you and the situation? What if one of these assumptions turned out to be false? What changes would you have to make if you found that your most cherished assumptions were not based on reality, or were contradicted by facts?</p>
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		<title>Develop A Sense of Urgency For Your Indie Music Career</title>
		<link>http://ralphsutton.com/blog/2010/05/develop-a-sense-of-urgency-for-your-indie-music-career/</link>
		<comments>http://ralphsutton.com/blog/2010/05/develop-a-sense-of-urgency-for-your-indie-music-career/#comments</comments>
		<pubDate>Mon, 10 May 2010 03:26:45 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Showcase]]></category>
		<category><![CDATA[indie music labels]]></category>
		<category><![CDATA[Indie Music Professional]]></category>
		<category><![CDATA[indie musicians]]></category>

		<guid isPermaLink="false">http://ralphsutton.com/blog/?p=723</guid>
		<description><![CDATA[In order to become a successful Indie Music Professional here are some qualities that you need. Perhaps the most outwardly identifiable quality of a high performing Indie Music Professional man or woman is that they have a &#8220;action orientation&#8221; mind set. Take Time to Think and Plan Highly productive Indie Music Professionals take the time [...]]]></description>
			<content:encoded><![CDATA[<p>In order to become a successful <em>Indie Music Professional</em> here are some qualities that you need. Perhaps the most outwardly identifiable quality of a high performing <em>Indie Music Professional</em> man or woman is that they have a &#8220;action orientation&#8221; mind set.<span id="more-723"></span><strong></strong></p>
<p><strong>Take Time to Think and Plan</strong><br />
Highly productive Indie Music Professionals take the time to think, plan and set priorities. They then launch quickly and strongly toward their goals and objectives. They work steadily, smoothly and continuously and seem to go through enormous amounts of work in the same time period that the average person spends socializing, wasting time and working on low value activities.</p>
<p><strong>Getting into the &#8220;Flow&#8221;</strong><br />
When you work on high value tasks at a high and continuous level of activity, you can actually enter into an amazing mental state called &#8220;flow.&#8221; Almost everyone has experienced this at some time. Really successful Indie Music Professionals are those who get themselves into this state far more often than the average person. In the state of &#8220;flow,&#8221; which is the highest human state of performance and productivity, something almost miraculous happens to your mind and emotions. You feel elated and clear. Everything you do seems effortless and accurate. You feel happy and energetic. You experience a tremendous sense of calm and personal effectiveness.</p>
<p><strong>Become Alert and Aware</strong><br />
In the state of &#8220;flow,&#8221; identified and talked about over the centuries, you actually function on a higher plane of clarity, creativity and competence. You are more sensitive and aware. Your insight and intuition functions with incredible precision. You see the interconnectedness of people and circumstances around you. You often come up with brilliant ideas and insights that enable you to move ahead even more rapidly.</p>
<p><strong>Develop a Sense of Urgency</strong><br />
One of the ways you can trigger this state of flow is by developing a &#8220;sense of urgency.&#8221; This is an inner drive and desire to get on with the job quickly and get it done fast. This inner drive is an impatience that motivates you to get going and to keep going. A sense of urgency feels very much like racing against yourself.</p>
<p><strong>Create a &#8220;Bias for Action&#8221;</strong><br />
With this ingrained sense of urgency, you develop a &#8220;bias for action.&#8221; You take action rather than talking continually about what you are going to do. You focus on specific steps you can take immediately. By employing this technique you concentrate on the things you can do right now to get the results you want and achieve the goals you desire.</p>
<p><strong>Action Exercises</strong><br />
Here are two things you can do immediately to put these ideas into action:</p>
<p>First, select one major task confronting you and launch into it immediately. Don&#8217;t hesitate. Move fast.</p>
<p>Second, start doing this every morning, first thing, until it becomes a habit.</p>
<p><a href="http://ralphsutton.com/blog" target="_blank">ralphsutton.com/blog</a></p>
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		<title>Blogs And Feeds What You Need To Know</title>
		<link>http://ralphsutton.com/blog/2010/05/blogs-and-feeds-what-you-need-to-know/</link>
		<comments>http://ralphsutton.com/blog/2010/05/blogs-and-feeds-what-you-need-to-know/#comments</comments>
		<pubDate>Tue, 04 May 2010 04:34:28 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Music Production]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[Blogs]]></category>
		<category><![CDATA[Feeds]]></category>
		<category><![CDATA[Indie Music Professional]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[RSS]]></category>

		<guid isPermaLink="false">http://ralphsutton.com/blog/?p=710</guid>
		<description><![CDATA[As an Indie Music Professional in today&#8217;s new media era it is vitally important that you learn ways to use new technology and mediums to promote and sell your music and build your fan base.  One easy way is blogging. F6YHXGUK77F6  In many ways, blogs are just another version of a website with multiple pages. [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://ralphsutton.com/blog/wp-content/uploads/2010/05/blog.jpg"><img class="alignleft size-thumbnail wp-image-712" title="Blogs and Feeds what you need to know" src="http://ralphsutton.com/blog/wp-content/uploads/2010/05/blog-150x150.jpg" alt="ralphsutton.com/blog" width="150" height="150" /></a>As an  Indie Music Professional in today&#8217;s new media era it is vitally  important that you learn ways to use new technology and mediums to  promote and sell your music and build your fan base.  One easy way is  blogging. F6YHXGUK77F6  In many ways, blogs are just another version of a website  with multiple pages. You can visit and read a blog page in the same way  you would any other web page. The main thing that sets a blog apart from  a basic web page is a useful web-based file format called RSS.<span id="more-710"></span>RSS  stands for Really Simple Syndication. In general, it is used to publish  and organize frequently updated digital content, such as blogs, news  feeds and podcasts. The coolest thing about RSS is that it gives people  the ability to subscribe to blogs and podcasts.</p>
<p><strong>The RSS Monster</strong></p>
<p>Not too long ago, when you found a website  you were interested in and wanted to stay on top off, you had two  choices: 1) subscribe to the site’s e-zine and get updates by e-mail, or  2) bookmark the site by adding it to your browser’s favorites list (and  you had to remember to visit it often).</p>
<p>In essence, an RSS feed allows you to subscribe to a website, which  just happens to be a blog. You can subscribe to blogs using something  called a news reader, feed reader or aggregator. These readers are  popping up everywhere. The latest versions of the Firefox and Internet  Explorer browsers allow you to subscribe to feeds directly from the  browser. You can also subscribe if you have a personalized  page set up  on Yahoo, AOL or Google. You can also use programs and sites such as  NewsGator, Bloglines, Rojo, FeedDemon and others.</p>
<p><strong>Viewpoint:</strong> If you’re not familiar with how these feed readers work,  think about how your e-mail inbox operates. You open your e-mail program  and all of your latest incoming e-mails pop-up, listed by subject line,  with the most recent message at the top. Feed readers work in a similar  way; open it up and all of the blogs you’ve subscribed to will show up,  with the latest content at the top, usually with just the headline and  maybe the first few lines of the blog post displaying. It’s a pretty  awesome way to have only the information you want delivered to your  desktop.</p>
<p><strong>Eight cool things about blogs</strong></p>
<p>You should get cozy with blogs.  Here are some good reasons why:</p>
<p style="padding-left: 30px;">1.    Blog messages don’t get  trapped in spam filters. If someone subscribes to your music blog, they  will always get your latest posts (as long as they check their readers).</p>
<p style="padding-left: 30px;">2.    It’s easy to subscribe to a blog. And unsubscribe too. A fan  simply adds your feed link to his or her news reader to subscribe. They  can unsubscribe at any time by removing it from the reader.</p>
<p style="padding-left: 30px;">3.     Blogs are easy to publish. Most bloggers use free automated services or  software. Little knowledge of HTML is required. Use a template, enter  your text, and publish. You’re an instant blogger.</p>
<p style="padding-left: 30px;">4.    Search engines love blogs. Google and the rest eat up fresh  content and reward websites that regularly update.</p>
<p style="padding-left: 30px;">5.    It’s a  great way to stay in touch with fans. Easily let people know about life  on the road or how the new studio sessions are going.</p>
<p style="padding-left: 30px;">6.    Other bloggers like to blog about blogs. Once you publish a  blog, you’re part of the blogosphere where cross-pollination rules.</p>
<p style="padding-left: 30px;">7.    A blog can be a great creative outlet. Expressing yourself in  writing on a regular basis can be fulfilling and leaves a public record  of your ideas and experiences.</p>
<p style="padding-left: 30px;">8.    You can build a community and encourage interaction. Activate  the comments feature on your blog and get immediate feedback to your  questions, stories and rants.</p>
<p>As an Indie Music Professional if  you’ve been shying away from the blog world, jump on in. The water is  fine.</p>
<p><a href="../../blog" target="_blank">http://ralphsutton.com/blog</a></p>
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		<title>Indie Music Marketing and Web 2.0</title>
		<link>http://ralphsutton.com/blog/2010/04/indie-music-marketing-and-web-2-0/</link>
		<comments>http://ralphsutton.com/blog/2010/04/indie-music-marketing-and-web-2-0/#comments</comments>
		<pubDate>Tue, 27 Apr 2010 04:59:37 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Music Production]]></category>
		<category><![CDATA[Indie Music Marketing]]></category>
		<category><![CDATA[Web 2.0]]></category>

		<guid isPermaLink="false">http://ralphsutton.com/blog/?p=696</guid>
		<description><![CDATA[What is Web 2.0? The term &#8220;Web 2.0&#8243; was coined in 1999 by Darcy DiNucci in her article, &#8220;Fragmented Future&#8221;.  DiNucci&#8217;s use of the term dealt mainly with Web design and aesthetics and she argued that the Web was &#8220;fragmenting&#8221; due to the widespread use of portable Web-ready devices. Her article was aimed at designers, [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_697" class="wp-caption alignleft" style="width: 160px"><strong><strong><a href="http://ralphsutton.com/blog/wp-content/uploads/2010/04/ralphsutton.com-web-2.0.jpg"><img class="size-thumbnail wp-image-697 " title="ralphsutton.com/blog indie music marketing and web 2.0" src="http://ralphsutton.com/blog/wp-content/uploads/2010/04/ralphsutton.com-web-2.0-150x150.jpg" alt="" width="150" height="150" /></a></strong></strong><p class="wp-caption-text">Indie Music Marketing and Web 2.0</p></div>
<p><strong>What is Web 2.0?</strong></p>
<p>The term &#8220;Web 2.0&#8243; was coined in 1999 by Darcy  DiNucci in her article, &#8220;Fragmented Future&#8221;.  DiNucci&#8217;s use of the term  dealt mainly with Web design and aesthetics and she argued that the Web  was &#8220;fragmenting&#8221; due to the widespread use of portable Web-ready  devices. Her article was aimed at designers, reminding them to code for  an ever-increasing variety of hardware. As such, her use of Web 2.0  hinted to the current use of the term.   Today, Web 2.0 represents the  movement from static websites where users can only view information to  web users now able to participate in online content creation through  website interactivity, blogs and social media networks across multiple  platforms.<span id="more-696"></span></p>
<div><strong>Why use Web 2.0 for Indie music marketing?</strong></div>
<div><strong><br />
</strong></div>
<div><strong> </strong>The  benefit of Web 2.0 for the Indie Music Professional is the ability to  become your own content creator and promote your own brand at minimum  cost. You are able to build quality, interactive websites for your web  audience to assist in co-content creation and information sharing. The  freedom to market your own music via digital downloads,  test a video  idea on your own YouTube channel and do a live concert on USTREAM gives  you the ability to reach current and potential fans &#8212; globally.</div>
<div></div>
<div><strong>What is a good Web 2.0 strategy?</strong></div>
<div><strong><br />
</strong></div>
<div>When it  comes to marketing your Indie Music product or service online, I suggest  launching a quality website with a weekly or bi-monthly blog, doing SEO  (Search Engine Optimization) on your website, creating a Facebook Fan  page and link it to Twitter and managing your various social media  networks through Ping.fm, Hootsuite, BeBo, FriendFeed, Digg or  Stumbleupon.</div>
<p>Sounds good? Would you like to take your  Indie Music marketing to the next level but you think you need help  creating your own Web 2.0 strategy? Don&#8217;t hesitate to contact me for  quick and easy techniques to get you moving in the right direction.</p>
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		<title>The Central Skills For Indie Music Success</title>
		<link>http://ralphsutton.com/blog/2010/04/the-central-skills-for-indie-music-success/</link>
		<comments>http://ralphsutton.com/blog/2010/04/the-central-skills-for-indie-music-success/#comments</comments>
		<pubDate>Mon, 19 Apr 2010 19:19:12 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Showcase]]></category>
		<category><![CDATA[Indie Music Success]]></category>
		<category><![CDATA[Time Management]]></category>

		<guid isPermaLink="false">http://ralphsutton.com/blog/?p=679</guid>
		<description><![CDATA[Time management is the central skill needed for success in your Indie Music Career. Your ability to manage your time, to focus and channel your energies on your highest value tasks, will determine your rewards and your level of accomplishment in life more than any other factor. Success Leaves Tracks When I began searching for [...]]]></description>
			<content:encoded><![CDATA[<p>Time management is the central skill needed for success in your Indie Music Career. Your ability to manage your time, to focus and channel your energies on your highest value tasks, will determine your rewards and your level of accomplishment in life more than any other factor.<span id="more-679"></span><strong></strong></p>
<p><strong>Success Leaves Tracks</strong></p>
<p>When I began searching for the secrets of success many years ago, I discovered an interesting principle: success leaves tracks. A wise man who had studied success for more than 50 years concluded that the greatest success principle of all was, &#8220;learn from the experts.&#8221;</p>
<p><strong>Learn From the Experts</strong></p>
<p>If you want to be a big success in any area, find out what other successful people in that area are doing, and do the same things, until you get the same results. When I studied the interviews, speeches, biographies and autobiographies of successful men and women, I found that they all had one quality in common. They were all described as being &#8220;extremely well organized.&#8221; They used their time very, very well. They were highly productive and they got vastly more done in the same period of time than the average person.</p>
<p><strong>Be Both Effective and Efficient</strong></p>
<p>High performing men and women are both effective and efficient. They do the right things, and they do them in the right way. They are constantly looking for ways to improve the quality and quantity of their output. As a result, their contribution to their organizations was vastly higher and therefore much better paid, than the contributions of the average person.</p>
<p><strong>Action Exercises</strong></p>
<p>Here are two things you can do immediately to put these ideas into action and your <em>Indie Music</em> Career infocus.</p>
<p>First, develop a study plan today to learn from the experts in your field. This can save you years of hard work.</p>
<p>Second, decide what is the most important thing to do, and then decide how to do it.</p>
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		<title>The Rules To Indie Music Marketing Pt #3</title>
		<link>http://ralphsutton.com/blog/2010/04/the-rules-to-indie-music-marketing-pt-3/</link>
		<comments>http://ralphsutton.com/blog/2010/04/the-rules-to-indie-music-marketing-pt-3/#comments</comments>
		<pubDate>Mon, 05 Apr 2010 23:41:50 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Music Production]]></category>
		<category><![CDATA[indie music artists]]></category>
		<category><![CDATA[Indie Music Marketing]]></category>
		<category><![CDATA[indie music promotion]]></category>
		<category><![CDATA[indie musicians]]></category>

		<guid isPermaLink="false">http://ralphsutton.com/blog/?p=670</guid>
		<description><![CDATA[Your fans need filters In the old scarcity economy model, the music that got stocked in stores, played on the air, and covered in the press was determined by what I call the “pre-filters.” They include record label executives, retail store buyers, program directors, editors, etc. Actually, these pre-filters are still very much a force [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://ralphsutton.com/blog/wp-content/uploads/2010/03/rulebook.jpg"><img class="alignleft size-thumbnail wp-image-609" title="Ralph Sutton's Music Production Blog" src="http://ralphsutton.com/blog/wp-content/uploads/2010/03/rulebook-150x150.jpg" alt="" width="150" height="150" /></a><strong> Your fans need filters</strong></p>
<p>In the old scarcity economy model, the music that got stocked in stores, played on the air, and covered in the press was determined by what I call the “pre-filters.” They include record label executives, retail store buyers, program directors, editors, etc. Actually, these pre-filters are still very much a force to this day but, as I’ll show in a moment, their power is dwindling. So it’s this small elite group that decides what is worthy of entering the corporate pipeline. Their decisions are made in two ways:<span id="more-670"></span></p>
<p>1) They stock, broadcast and cover more of what has already proven itself popular, giving the general public more of what it seems to want.</p>
<p>2) Of the new artists and CDs that come out every month, the pre-filters predict what they think will be popular (in addition to giving prime retail placement to labels and distributors that pay for it).</p>
<p>Again, this system led to the black and white “hit or miss” mentality of the past several decades. The good news is that the Internet and digital technologies have created an abundance economy where everything and everybody have equal access to the marketplace online. The only problem is, the online marketplace is flooded with products and noise of all kinds. It would be easy for consumers to become overwhelmed and confused by all the choices. That’s where “post-filters” come in. Music fans don’t have to wade through everything to find the gems. They simply use some new tools and trusted sources to help them sort through it all. Here are just some of the post-filters that fans use today to find new music:</p>
<ul>
<li>Friends – personal recommendations from familiar people will always be the leading way that consumers discover new music, books, films and more.</li>
</ul>
<ul>
<li>Customer reviews – being able to read what other people think of a given CD on Amazon or CD Baby influences a lot of purchase decisions.</li>
</ul>
<ul>
<li>Popularity lists – they come in all shapes and sizes: most downloaded, top sellers, highest rated, most discussed.</li>
</ul>
<ul>
<li>Blogs and podcasts – the new niche tastemakers are bloggers and podcasters who cater to narrow audiences.</li>
</ul>
<ul>
<li>Genre-specific resources – From AllHipHop.com to Rockabilly Radio, people gather where their main interests are addressed.</li>
</ul>
<ul>
<li>Search – when in doubt, fans “Google” their favorite genres and see what comes up.</li>
</ul>
<p>Your job as a <em>Indie Music Marketer</em> is to tap into these sources. To make the best use of post-filters, do the following things:</p>
<ul>
<li>Encourage your current fans to share your music with their friends and make it easy to do so.</li>
</ul>
<ul>
<li>When a fan sends you a glowing e-mail about your new CD, ask them to post their comments as a review on Amazon, CD Baby and more – and give them the links where they can do that.</li>
</ul>
<ul>
<li>Ask all of your fans to go to a certain site on the same day and vote you to the top of one of the popularity charts.</li>
</ul>
<ul>
<li>Search for the terms your fans use to find music like yours then try to gain exposure through the top sites you find.</li>
</ul>
<p><strong>Use open-source promotion</strong></p>
<p>Another offshoot of this evolution is the blurring of the lines between people who produce creative content and those who consume it. Case in point: A several years ago the Beastie Boys gave digital camcorders to 50 fans at a show in New York City and asked them to record everything they saw. Group member Adam Yauch then combined his favorite bits from the 100-plus hours of footage into a feature film. Other examples:</p>
<ul>
<li>Janet Jackson solicited artwork from her fans and incorporated some of the best ideas into her CD cover.</li>
</ul>
<ul>
<li>Barenaked Ladies (who did not renew a contract with Warner Music Group and are now independent) made the ProTools tracks to 29 of their songs available to fans who wanted to do their own remixes of them.</li>
</ul>
<p>That’s in stark contrast to the old major-label habit of protecting copyrights at all costs. These days, the smartest <em>musicians, managers and indie labels</em> are redefining what intellectual property and promotion are. In this new era, artists aren&#8217;t the only ones who do the creating while fans passively sit by and wait to be fed the latest music. Now everyone has an opportunity to express themselves. Use this to your advantage. Co-create with your fans. Ask them to help you produce videos, artwork, T-shirt designs, even alternate versions of your recorded music.</p>
<p><strong>Bottom line:</strong> <em>Get fans involved and allow them to be co-creators in your success story!</em></p>
<p>These are just some of <em>The Rules To</em> <em>Indie Music Marketing</em>, and they are some of  the most important ones. Focus on them and you will see more results, more fans, and more money.</p>
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		<title>The Rules To Indie Music Marketing Pt #2</title>
		<link>http://ralphsutton.com/blog/2010/03/the-rules-to-indie-music-marketing-pt-2/</link>
		<comments>http://ralphsutton.com/blog/2010/03/the-rules-to-indie-music-marketing-pt-2/#comments</comments>
		<pubDate>Mon, 29 Mar 2010 13:06:55 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Music Production]]></category>
		<category><![CDATA[Indie Music Marketing]]></category>
		<category><![CDATA[indie music promotion]]></category>

		<guid isPermaLink="false">http://ralphsutton.com/blog/?p=647</guid>
		<description><![CDATA[I Got Good News And Bad This is great news for indie artists. Unfortunately, the old scarcity business model is so ingrained in our culture, it has lead to many unfounded beliefs, such as: If it isn’t a hit, it’s a miss The only success is mass success “Independent” = “They couldn’t get a deal” [...]]]></description>
			<content:encoded><![CDATA[<p><strong><a href="http://ralphsutton.com/blog/wp-content/uploads/2010/03/rulebook.jpg"><img class="alignleft size-thumbnail wp-image-609" title="Ralph Sutton's Music Production Blog" src="http://ralphsutton.com/blog/wp-content/uploads/2010/03/rulebook-150x150.jpg" alt="" width="144" height="144" /></a></strong></p>
<p><strong>I Got Good News And Bad</strong></p>
<p>This is great news for indie artists. Unfortunately, the old scarcity business model is so ingrained in our culture, it has lead to many unfounded beliefs, such as:<span id="more-647"></span></p>
<ul>
<li>If it isn’t a hit, it’s a miss</li>
</ul>
<ul>
<li>The only success is mass success</li>
</ul>
<ul>
<li>“Independent” = “They couldn’t get a deal”</li>
</ul>
<ul>
<li>Low-selling = low-quality</li>
</ul>
<ul>
<li>If it were good, it would be popular</li>
</ul>
<p>Fortunately, a growing number of creative entrepreneurs are figuring out ways to make the most of this new “abundance economy” where practically everything is available to the public, where the cream rises to the top based on what consumers actually want, and where you can make an impact (and a living) without ever ranking on the Billboard Hot 100 list.</p>
<p>So, what kind of world do you want to live in? One of scarcity, hits and misses? Or one of abundance, hits and niches? The choice is ultimately up to you.</p>
<p><strong>This is the age of the empowered music fan</strong></p>
<p>Another big change the Internet has brought involves the evolution of the techsavvy, modern music consumer. This is crucial to your future success with music, so read carefully:</p>
<p><strong>Old-school music business</strong>: Back in the day, record labels would determine who the ideal audience was for a given act. Then they would hunt down those specific types of fans via targeted radio stations, magazines, concert venues, retail outlets, etc.</p>
<p>As I mentioned earlier, music consumers had limited ways of gaining access to new music, so they relied on commercial, programmed media sources to filter new artists to them. Sure, some adventurous fans made the extra effort to dig for new music via “alternative” sources such as fanzines, college radio stations, mix tapes, etc. But most people weren’t willing to work that hard to discover new sounds.</p>
<p>So music consumers were mostly prey reactive to the efforts major labels made to track them down and feed them the latest music. That’s where the term “target marketing” comes from. You aim your marketing message at your prey and fire away.</p>
<p><strong>New-school music landscape:</strong> Today music fans are in control. They rely less and less on programmed, spoon-fed media sources and are finding it easier than ever to discover new music on their own. Using an iPod, FaceBook, satellite radio, Internet downloads, podcasts, TiVo and more &#8230; members of the digital generation are determining what they want to hear, when they want to hear it, and how.</p>
<p><strong>Hunted become the hunters</strong></p>
<p>Consumers who in the past were primarily hunted down by the music industry system have now become proactive hunters, empowered to choose the music that’s best suited for them. This shift has thrown the creation, promotion and distribution of music into a tailspin.</p>
<p>That’s one of the biggest concepts I’ve been marveling at lately. For years I’ve been talking about “artist empowerment” and how musicians should take their careers into their own hands. But what needs to be equally stressed is the huge shift toward “music fan empowerment” and “consumer empowerment.”</p>
<p><strong>Insight:</strong> For a long time now I’ve repeated this mantra that “we live in an incredible era of self-expression and self-empowerment.” And it’s true. But these opportunities don’t exist only for artists. They’re available to everyone.</p>
<p>And that’s why sites like FaceBook, Flickr and YouTube are so popular. They give average people a chance to express themselves, connect with other people, and discover hip new things.</p>
<p><strong>Get into the discovery zone</strong></p>
<p>Consumers today don’t respond very well to being “marketed to” in the traditional ways. However, they are more passionate than ever about discovering new music. It’s just that now they prefer to discover it on their own or through the recommendation of a friend or trusted blogger, podcaster, music magazine, etc.<br />
As an indie artist, what should you do in this environment?</p>
<p>You should still understand who your ideal fan is and actively seek them out. Simultaneously, you need to put yourself in the best position to be “discovered” not by a record label A&amp;R rep, but by a curious music fan in search of his or her new favorite song or artist.</p>
<p><strong>Word to the wise:</strong> The best way to promote yourself online in today’s environment is to think outside the box of your own personal web site. Yes, you want to use your own domain name as a home base that you steer potential fans and customers to. In addition, it’s vitally important that you leave traces of yourself all over the Internet.</p>
<p>That’s why you need to establish a small presence in all the places where your ideal fans congregate online. Get set up on FaceBook and YouTube. Publish a blog and a podcast and video content. Post your own online press releases that get picked up by music news site feeds. In short, give people an easy way to find you online and a reason to talk about you once they do.</p>
<p>With that said  be sure to come back next week for Part #3. I will share with you my experience on why fans need filter, and be sure to leave a post, I want to hear from you.</p>
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		<title>Your Life Can Be A Masterpiece</title>
		<link>http://ralphsutton.com/blog/2010/03/your-life-can-be-a-masterpiece/</link>
		<comments>http://ralphsutton.com/blog/2010/03/your-life-can-be-a-masterpiece/#comments</comments>
		<pubDate>Tue, 23 Mar 2010 00:46:37 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Showcase]]></category>

		<guid isPermaLink="false">http://ralphsutton.com/blog/?p=613</guid>
		<description><![CDATA[This is the age of achievement. Never have more people accomplished more things in more different fields than they are accomplishing today. More people are becoming successful at a faster rate than at any other time in history. There have never been more opportunities for you to turn your dreams into realities than there are [...]]]></description>
			<content:encoded><![CDATA[<p>This is the age of achievement. Never have more people accomplished more things in more different fields than they are accomplishing today. More people are becoming successful at a faster rate than at any other time in history. There have never been more opportunities for you to turn your dreams into realities than there are right now.<span id="more-613"></span><strong>The Seven Ingredients of Success</strong><br />
Your ideal life is a blending these seven ingredients in exactly the combination that makes you the happiest at any particular moment. By defining your success and happiness in terms of one or more of these seven ingredients, you create a clear target to aim it. You can then measure how well you&#8217;re doing. You can identify the areas where you need to make changes if you want your life to improve.</p>
<p><strong>Peace of Mind</strong><br />
The first of these seven ingredients of success, and easily the most important, is peace of mind. It is the highest human good. Without it, nothing else has much value. In corporations, peace of mind can be measured in terms of the amount of harmony that exists among coworkers. The wonderful truth about peace of mind is that it is your normal natural condition. It is the basic precondition for enjoying everything else.</p>
<p><strong>Health and Energy</strong><br />
The second ingredient of success is health and energy. Just as peace of mind is your normal and natural mental state, health and energy is your normal and natural physical state. If you achieve all kinds of things in the material world, but lose your health then you will get little or no pleasure from your other accomplishments. So imagine yourself enjoying perfect health, and think of how you would be if you were your ideal image of physical fitness. Then strive for your mental goal of fitness and health.</p>
<p><strong>Loving Relationships</strong><br />
The third ingredient of success is loving relationships. These are relationships with the people you love and care about, and the people who love and care about you. They are the real measure of how well you are doing as a human being. At almost any time, you can measure how well you are doing in your relationship by one simple test: laughter. This is true for companies as well. High-performance, high profit organizations are those in which people laugh and joke together. Examine your relationships, one by one, and develop a plan to make each of them enjoyable and satisfying.</p>
<p><strong>Financial Freedom</strong><br />
The fourth ingredient of success is financial freedom. Achieving your financial freedom is one of the most important goals and responsibilities of your life. A feeling of freedom is essential to the achievement of any other important goal, and you cannot be free until and unless you have enough money so that you are no longer preoccupied with it. When you decide exactly what you want your financial picture to look like, you will be able to use this system to achieve your goals faster than you might have imagined possible.</p>
<p><strong>Worthy Goals and Ideals</strong><br />
The fifth ingredient of success is worthy goals and ideals. To be truly happy, you need a clear sense of direction. You need to feel that your life stands for something, that you are somehow making a valuable contribution to your world.</p>
<p><strong>Self Knowledge and Self-Awareness</strong><br />
The sixth ingredient of success is self-knowledge and self-awareness. To perform at your best you need to know who you are and why you think and feel the way you do. It is only when you understand and accept yourself that you can begin moving forward in other areas of your life.</p>
<p><strong>Personal Fulfillment</strong><br />
The seventh ingredient of success is personal fulfillment. This is the feeling that you are becoming everything that you are capable of becoming. It is the sure knowledge that you are moving toward the realization of your full potential as a human being.</p>
<p><strong>Action Exercise</strong><br />
Take the brush of your imagination and begin painting a masterpiece on the canvas of your life. It is for you to decide clearly what would make you the happiest in everything you are doing.</p>
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		<title>The Rules To Indie Music Marketing</title>
		<link>http://ralphsutton.com/blog/2010/03/the-rules-to-indie-music-marketing/</link>
		<comments>http://ralphsutton.com/blog/2010/03/the-rules-to-indie-music-marketing/#comments</comments>
		<pubDate>Mon, 22 Mar 2010 17:54:43 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Music Production]]></category>

		<guid isPermaLink="false">http://ralphsutton.com/blog/?p=608</guid>
		<description><![CDATA[Hey everyone, I have been off for the last month doing just what I am telling you about, making money on the internet with Indie Music Marketing. In this post I will share with you The Rules To Indie Music Marketing. Here&#8217;s the deal&#8230; more than a billion people now have Internet access around the [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://ralphsutton.com/blog/wp-content/uploads/2010/03/rulebook.jpg"><img class="alignleft size-thumbnail wp-image-609" title="Ralph Sutton's Music Production Blog" src="http://ralphsutton.com/blog/wp-content/uploads/2010/03/rulebook-150x150.jpg" alt="" width="150" height="150" /></a>Hey everyone, I have been off for the last month doing just what I am telling you about, making money on the internet with Indie Music Marketing. In this post I will share with you <em>The Rules To Indie Music Marketing</em>.</p>
<p>Here&#8217;s the deal&#8230; more than a billion people now have Internet access around the planet. That’s a lot of people and a lot of opportunities at your fingertips. It can also be bewildering, as the number of new music sites and the variety of online tools continue to grow at dizzying rates. Just when you get a handle on how to promote yourself effectively with existing web-based tools, something new comes along to cloud your vision and fill up your to-do list. Not to worry. In this post, I’ll give you a quick crash course on what’s new and what’s most important to know about marketing your music on the Internet today.<span id="more-608"></span> If you read my post titled, <em>The Music Business has Changed What About You?</em> it was a real eye-opener. If you haven’t read it, do yourself a favor and do so, because in it I write about the changing face of the entertainment industries.</p>
<p>For decades we lived in a scarcity economy. We were introduced to new music, books and films via retail outlets, radio, TV and print publications but all of these avenues of exposure had physical limitations. There was only so much shelf space, airtime and editorial pages to fill. So in order to appeal to the widest audience and turn a profit, only those things that were determined to be the most popular were stocked or covered.</p>
<p><strong>Reality:</strong> This lead to a lop-sided cultural mentality.  A book, band or movie was either a big hit or a giant dud. There was little ground in between the two extremes of popularity. You were either part of the system or an outsider.</p>
<p>Then came online retailers such as Amazon and Netflix, which were not constrained by the physical space limitations of traditional sellers. For example, the average Borders bookstore carries about 100,000 titles, while Amazon offers nearly 4 million books. The average Blockbuster carries about 3,000 DVDs, while Netflix offers close to 60,000. The average Wal-Mart store carries about 4,500 music CDs (filled with more than 55,000 individual tracks), while the online music subscription service Rhapsody offers more than 1.5 million individual tracks. And guess what? About 25% of the total revenues on Amazon and Netflix come from products not available in retail stores. On Rhapsody, that figure is about 40%. Yes, from titles outside the hit list. CNet&#8217;s overwhelming research concludes that  when given unlimited choice (along with the ability to filter through the choices), people will stray from the hits and spend a considerable amount of money on non-mainstream products.</p>
<p>Come back next week for more information on how to market your music online.  I would like to also hear about your experiences with Indie Music Marketing online, so drop me a line today.</p>
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		<title>AES Announces Dates for the Nashville Recording Workshop + Expo 2010</title>
		<link>http://ralphsutton.com/blog/2010/02/aes-announces-dates-for-the-nashville-recording-workshop-expo-2010/</link>
		<comments>http://ralphsutton.com/blog/2010/02/aes-announces-dates-for-the-nashville-recording-workshop-expo-2010/#comments</comments>
		<pubDate>Tue, 16 Feb 2010 23:50:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Recording]]></category>

		<guid isPermaLink="false">http://ralphsutton.com/blog/?p=603</guid>
		<description><![CDATA[Nashville, TN &#8212; Following on the success of the first annual Nashville Recording Workshop + Expo in 2009, The AES Nashville Section and Mike Curb College of Entertainment &#38; Music Business, in conjunction with the Audio Engineering Society, Inc. in NY are pleased to announce the dates for this year’s session to be held at [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://ralphsutton.com/blog/wp-content/uploads/2010/02/images-1.jpg"><img class="alignleft size-full wp-image-605" title="Ralph Sutton's Music Production Blog" src="http://ralphsutton.com/blog/wp-content/uploads/2010/02/images-1.jpg" alt="" width="130" height="83" /></a>Nashville, TN &#8212; Following on the success of the first annual Nashville Recording Workshop + Expo in 2009, The AES Nashville Section and Mike Curb College of Entertainment &amp; Music Business, in conjunction with the Audio Engineering Society, Inc. in NY are pleased to announce the dates for this year’s session to be held at The Curb Event Center at Belmont University, just steps away from the heart of Nashville’s legendary Music Row.<span id="more-603"></span> This two-day conference and trade show exposition will be held on March 5-6, 2010, and will once again feature top industry guest speakers and panelists, as well as exhibits by many of today’s leading audio gear manufacturers. Last year, over 300 attendees from 28 states and 5 different countries participated in this unique industry event which focuses on recording musicians and engineers working in wide variety of personal production spaces and studio environments. Students from some 20 audio technology schools were also part of that number.</p>
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