- Your Indie Music Career Options, Take Control of your out come
- Successful songwriters and composers have a relationship with a publishing company defined by a publishing contract.
- Internet technology allows artists to introduce their music to a potentially enormous audience at low cost without necessarily affiliating with a major recording label.
- The boundaries between major and independent labels, and the definitions of each, differ from commentator to commentator.
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As an Indie Music Professional in today’s new media era it is vitally important that you learn ways to use new technology and mediums to promote and sell your music and build your fan base. One easy way is blogging. F6YHXGUK77F6 In many ways, blogs are just another version of a website with multiple pages. You can visit and read a blog page in the same way you would any other web page. The main thing that sets a blog apart from a basic web page is a useful web-based file format called RSS.
What is Web 2.0?
The term “Web 2.0″ was coined in 1999 by Darcy DiNucci in her article, “Fragmented Future”. DiNucci’s use of the term dealt mainly with Web design and aesthetics and she argued that the Web was “fragmenting” due to the widespread use of portable Web-ready devices. Her article was aimed at designers, reminding them to code for an ever-increasing variety of hardware. As such, her use of Web 2.0 hinted to the current use of the term. Today, Web 2.0 represents the movement from static websites where users can only view information to web users now able to participate in online content creation through website interactivity, blogs and social media networks across multiple platforms.

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In the old scarcity economy model, the music that got stocked in stores, played on the air, and covered in the press was determined by what I call the “pre-filters.” They include record label executives, retail store buyers, program directors, editors, etc. Actually, these pre-filters are still very much a force to this day but, as I’ll show in a moment, their power is dwindling. So it’s this small elite group that decides what is worthy of entering the corporate pipeline. Their decisions are made in two ways:
For years now, aspiring musicians and artists thought the only real path to success was getting a record deal with a major label, and for me, as a recording engineer / music producer, I believed that the only way that I was going to get paid well was to work with an artist who had a recording contract.
The Music Business has Changed, the Internet and low-cost recording technologies have created a profitable do-it-yourself Indie Music movement with endless options for recording, mixing, mastering and music production, which has changed the recording business forever. I regrettably have to report that I have talked to many songwriters, artists, producers and engineers who still believe the only road to widespread acclaim can only be achieved through a record deal.

Ralph Sutton's Music Production Blog
I am writing this article to help you along the bewildering road that leads to a successful Indie Music Career. The intention, thoughts and suggestions in this article are simple, I am not saying that they’re always easy. There’s work to be done, but it’s the kind of work that’s well within your skill. Over the years I have noticed the difficulties that most Indie Music folks have, even those who put in a lot of good work, one of the most difficult is using their time on the wrong things. When you finish reading this article you should have a clearer direction for Your Indie Music Career.
What is Indie Music Marketing?
Yeah, you know it’s something you have to do, and you have at least some hold of what is it. You recognize it when you see it most of the time. But at its most basic level, can you explain what it is? And more importantly, can you spell out the basic elements of effective Indie Music marketing? Because, after all, if you’re going to invest your time and energy in promotion, it better be effective. Right? Don’t worry if you can’t come up with a quick answer to the question. On the other hand, don’t get mad at me if you think you know the answer and feel my probing here is pointless. Because it isn’t. If you plan to read the Ralph Sutton’s Music Production Blog and use the information to create a Indie Music promotion plan for your Indie Music, you better damn well know why you’re doing it. You need to understand the underlying principles at work here. These elements are simple, but they’re often glossed over by eager artist and musicians who just want to “get their name out there.” Getting your name out there is fine. It’s better than doing nothing at all. But mindless Indie Music marketing without focus and purpose usually leads to frustration and continued obscurity. The solution: Look under the hood and get a grasp of what’s at the core of every effective Indie Music promotion plan. When it comes right down to it, Indie Music marketing consists of these three elements:
This is the crucial first step. You really can’t do much with the next two stages until
you’re getting results from this stage. Obviously, exposure is your main goal.
But before fans, the media and other people in the music business can help you,
they need to be aware of you. They need to be familiar with your name and the type of sound you create.
As Within, So Without
Aristotle said that the ultimate aim or purpose or human life is to achieve your own happiness. You are the very happiest when what you are doing on the outside is congruent with your values on the inside. When you are living in complete alignment with that which you consider to be good, right, and true, you will automatically feel happy and positive about yourself and your world.
Hello everyone, Today the Great Willie Mitchell has gone back home to be with God. Here is the link of the Last interview he did. I hope you enjoy watching it and remembering what he did for all of us. God Bless Willie “Pop’s” Mitchell and may his Memory Live On Forever. http://www.youtube.com/watch?v=OmF3iRuU9C4
When the topic of goal setting comes up, most Indies’ run for the hills. In fact, I’ll
bet that right now you’re seriously thinking about skipping this Blog post so you can
wait for a post that is more interesting. I understand, but I encourage you to ignore
those feeling temporarily and stick with this post.
And while you’re at it, just calm down. Planning for your future doesn’t have to be painful. In fact, you’ll find that getting on good terms with the goal setting process will move you toward your Indie Music Career dreams quicker – while also giving you more direction with which to pursue them.
Follow these step’s and you will get what you want, and in getting what you want, you will achieve your goal of Indie Music Success.
1) Decide specifically what you want
Before you set out to conquer your goal, you have to know what you really want.
Do you have a clear idea of what you’re going after? Vague concepts about some
day succeeding in the Indie Music business lead to vague, weak actions in attainingthem. However, detailed target goals such as selling 3,000 units of your CD, playing 10
gigs a month, making at least $20,000 in the first quarter of next year keep you
focused and on track.
To borrow a phrase from a former U.S. president, “I feel your pain.” I’m not talking about physical pain. I’m referring to the deep emotional pain and stress that come with pouring your heart into your band, new CD or your online marketing … and still feeling like you’re coming up short. Whether you produce R&B, Soul, Jazz or Hip-Hop music, you know what you offer is good and is of value to others. It’s just that not enough people seem to know about you and, as a result, not nearly enough money is streaming in to cover expenses, much less give yourself a little take-home money. Listen up, my fellow Indie Music Makers. This blog post sheds light on how to remedy your situation. What follows are five steps you must follow to take charge of your of your Indie Music Marketing so you start profiting from it now!
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2) Discover what motivates your fans
Now that you have a clearer idea of who your fans are, you have to reach out and touch them. But the only way to reach them effectively is to understand their real reasons for spending time and money on you.
The hitch: Most music marketers concentrate on themselves and the features of their product or service. For instance, recording studios, which I am a owner of one, we are notorious for promoting lists of recording equipment and the credentials of engineers.
Los Angeles (February 11, 2010)—The Grammy Museum’s “Mississippi Night” was recently held as a preamble to the 52nd Grammy Awards; the event featured Hubert Sumlin, Honeyboy Edwards, and Hartley Peavey.There, Peavey, founder and CEO of Peavey Electronics Corporation, discussed career opportunities in music with Los Angeles-area high school students before delivering an address during the evening program. Using a backline of Peavey, Trace Elliot and Budda guitar and bass amplifiers, blues artists spanning generations celebrated the legacy of Mississippi’s contributions to popular music with performances in the museum’s Grammy Sound Stage auditorium. The legendary Hubert Sumlin, a past Grammy nominee who played alongside Muddy Waters and Howlin’ Wolf; David “Honeyboy” Edwards, a 2010 Recording Academy Lifetime Achievement Award winner; four-time Grammy nominee Dorothy Moore; four-time nominated The Williams Brothers; and young bluesman Eddie Cotton all shared the stage.

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I’m going to use this entire post to deal with only one subject because it’s so vital to the success of your indie music promotion efforts. Every day I see the same mistake being made in this area and feel I owe it to you to drive this crucial point home.
Suppose you walked into a record store and one of the employees came up and handed you a box filled with CDs. Then he said, “Here, these are extra promo copies we’re giving away. You can have any CD you want out of the box. But you can take only one.”
Nashville, TN — Following on the success of the first annual Nashville Recording Workshop + Expo in 2009, The AES Nashville Section and Mike Curb College of Entertainment & Music Business, in conjunction with the Audio Engineering Society, Inc. in NY are pleased to announce the dates for this year’s session to be held at The Curb Event Center at Belmont University, just steps away from the heart of Nashville’s legendary Music Row.
Hey everyone, I have been off for the last month doing just what I am telling you about, making money on the internet with Indie Music Marketing. In this post I will share with you The Rules To Indie Music Marketing.
Here’s the deal… more than a billion people now have Internet access around the planet. That’s a lot of people and a lot of opportunities at your fingertips. It can also be bewildering, as the number of new music sites and the variety of online tools continue to grow at dizzying rates. Just when you get a handle on how to promote yourself effectively with existing web-based tools, something new comes along to cloud your vision and fill up your to-do list. Not to worry. In this post, I’ll give you a quick crash course on what’s new and what’s most important to know about marketing your music on the Internet today.
I Got Good News And Bad
This is great news for indie artists. Unfortunately, the old scarcity business model is so ingrained in our culture, it has lead to many unfounded beliefs, such as:
Indie Music Resources
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